Nathan Carter
Adrien Zammit - mardi 23 décembre 2008 - Arts vivaces
Quelques images, trouvées par-ci par-là, des uvres de Nathan Carter. Né à Dallas en 1970, il vit et travaille à New York.
Stan Klr Stan Bac, 2006
The Light Of The Dark Black Night, 2008
Une installation dans une rue de Basel, dans le cadre de Citysky, 2008
Stan Klr Stan Bac, 2006
The Light Of The Dark Black Night, 2008
Une installation dans une rue de Basel, dans le cadre de Citysky, 2008
Une vue de son exposition «Radio Trnasmission Contraptions» dans la galerie Casey Kaplan à New York, 2008
Calling Four Towers Signal Drifting With No Fixed Purpose, 2008
Blue And Cream Travelling Language Machine, 2006
Low Cloud Cover River Boat Fireworks Show With Lanterns, 2008
Heathrow Disinformation Neo-C.E.O. Tube Station, 2007
17 Radio Stations, One Big Community Pirate Radio Boat And A Crazy Oversized Antennae On The High High Seas, 2006
The Whirlwind Technical Flying Faction Finally Gets A Taste Of The Action, 2005
Code Breakers Color Balance Express Thru Way, 2008
SMS, Fax, Telecable And Outro Net In The City Radio Network, 2008
Underground Radio Gibraltar, 2008
Radio Wolverhampton Calling All Mashers, 2008
D'autres superbes images sont à voir sur le site de la galerie Casey Kaplan, ici ou encore ici.
Et un petit texte trouvé sur le site Artkrush : «Nathan Carter's rickety mobiles and wall-relief sculptures accentuated by symbols, numbers, and directional words chart the convoluted ways people communicate, travel, and disseminate information. This exhibition bursts from all directions with overstimulated, cartoonish energy. The freestanding Blue And Cream Traveling Language Machine is a wiry structure resembling melting scaffolds from which futuristic antennas jut out, spewing a frenetic mix of coded signals. The wall-piece All-City 5 Boroughs On My NY Metrocard 1239 ACE 7 F 456 employs the schematic form of subway maps, embellished by the obsessive placement of MTA icons, while suspended from the ceiling, Single Evil, a snake-like object decorated with blue-and-black racing stripes and skull-and-crossbones motifs, exudes a sense of playful pessimism.»
Une vue de son exposition «Radio Trnasmission Contraptions» dans la galerie Casey Kaplan à New York, 2008
Calling Four Towers Signal Drifting With No Fixed Purpose, 2008
Blue And Cream Travelling Language Machine, 2006
Low Cloud Cover River Boat Fireworks Show With Lanterns, 2008
Heathrow Disinformation Neo-C.E.O. Tube Station, 2007
17 Radio Stations, One Big Community Pirate Radio Boat And A Crazy Oversized Antennae On The High High Seas, 2006
The Whirlwind Technical Flying Faction Finally Gets A Taste Of The Action, 2005
Code Breakers Color Balance Express Thru Way, 2008
SMS, Fax, Telecable And Outro Net In The City Radio Network, 2008
Underground Radio Gibraltar, 2008
Radio Wolverhampton Calling All Mashers, 2008
D'autres superbes images sont à voir sur le site de la galerie Casey Kaplan, ici ou encore ici.
Et un petit texte trouvé sur le site Artkrush : «Nathan Carter's rickety mobiles and wall-relief sculptures accentuated by symbols, numbers, and directional words chart the convoluted ways people communicate, travel, and disseminate information. This exhibition bursts from all directions with overstimulated, cartoonish energy. The freestanding Blue And Cream Traveling Language Machine is a wiry structure resembling melting scaffolds from which futuristic antennas jut out, spewing a frenetic mix of coded signals. The wall-piece All-City 5 Boroughs On My NY Metrocard 1239 ACE 7 F 456 employs the schematic form of subway maps, embellished by the obsessive placement of MTA icons, while suspended from the ceiling, Single Evil, a snake-like object decorated with blue-and-black racing stripes and skull-and-crossbones motifs, exudes a sense of playful pessimism.»